French 1824-1904 Jean Leon Gerome Galleries French painter, sculptor, and teacher. Son of a goldsmith, he studied in Paris and painted melodramatic and often erotic historical and mythological compositions, excelling as a draftsman in the linear style of Jean-Auguste-Dominique Ingres. His best-known works are scenes inspired by several visits to Egypt. In his later years he produced mostly sculpture. He exerted much influence as a teacher at the Ecole des Beaux-Arts; his pupils included Odilon Redon and Thomas Eakins. A staunch defender of the academic tradition, he tried in 1893 to block the government acceptance of the Impressionist works bequeathed by Gustave Caillebotte.   Related Paintings of Jean Leon Gerome :. | Interior of a Mosque 7 | A View of the Plain of Thebes in Upper Egypt | Bashi-Bazouk and his Dog | Sketch for the Excursion of the Harem | urkish Bashi Bazouk Mercenaries Playing Chess in a Market Place |
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Jan van de Velde
(1593, Delft or Rotterdam-ca. 1 November 1641, Enkhuizen) was a Dutch Golden Age painter and engraver of animal, landscape and still-life subjects. He was the father of the still life painter Jan Jansz van de Velde. He was apprenticed to engraver Jacob Matham in 1613, entered the Haarlem guild in 1614, and then probably visited Italy. He is better known for his etching and engraving than for his painting. According to Houbraken, he was the brother of Esaias van de Velde and Willem van de Velde the Elder, but according to John Denison Champlin, Esaias was his cousin, and he was no relation at all to the family of Willem.
Luis Daguerre
French Painter , (1789-1851)
Joos van Craesbeeck
(c. 1605/06- c. 1660) was a Flemish painter who specialized in tavern interiors, tronies, and other works similar to his teacher Adriaen Brouwer. Born in Neerlinter (Flemish Brabant), he became a master in Antwerp's guild of St. Luke in 1633?C1634, and like his contemporaries David Teniers the Elder and David Rijckaert III he developed rustic genre scenes. He subsequently moved to Brussels, where he joined that city's painters' guild in 1651. Paintings such as Death is Violent and Fast are typical of his small, theatrical images of peasants brawling crowded with violent expressive figures. Unlike Teniers, whose style became more elegant, Craesbeeck continued to paint bawdy figures later in his career.